Mario Bruneau is a Paris-musette accordion specialist. Upon hearing the firsts notes, his light style of playing immediately fill the spaces with feelings of joy and joie de vivre whether it be at a public event or a private venue, people are immediately seduced. With his original and eloquent interpretations, Mario Bruneau is often referred to as the accordion poet.
It is in 1992 that Mario Bruneau starts to play and learn the "MUSETTE" repertoire. In Montmagny, his participations at the Carrefour Mondial de l’accordéon de Montmagny where noticed especially his performance at the first edition of "Les Concert au clair de lune" of the Centre Éducatif des Migration. In 1999, he was invited to "Les Rencontres Européennes de l'Accordéon" of Chartres in France.
From 1997 to 2004, he was the accordionist of le Bateau-Mouche in old Port of Montreal for which he produced the musical theme (listen to the musical theme of the Bateau-Mouche .mp3 5Meg) In 2006, an Italian accordion manufacturer from Castelfidardo hired Mario Bruneau to perform at their Frankfurt MusikMesse's booth in Germany. The video on the right highlights Le Grand Frisson, a concert hall he opened in a Church.
Weekly before 4PM
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$300 |
Weekly after 4PM
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$350 |
Saturday before 4PM
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$350 |
Saturday after 4PM
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$400 |
Sunday brunch
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$350 |
EVENTS TYPE
Anywhere there is good food and good wine! Private party, event, congress, wedding, corporative, concert, restaurant, wedding anniversary, intimate concert, reception hall, promotion campaign, etc.
Add $200 for a sound system if needed and $300 for the singer Hélène Cardinal (sound system mandatory)
Please note that those rates are for a two hours performance.
Add $100 for each additional hour.
"I can hear signing Angels coming out of your accordion"
Francis Lemarque
It is by deepening his accordion knowledge that he became interested in its history, manufacturing, its morphology, tuning and new technological developments that he came to tune and repair his own accordion. To share his knowledge and passion, he created the MultiMedia Accordion Conference that he presented in 2008 at Montmagny.
5 Comments to “ Accordionist”
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Dear M. Bruneau: I was among the many who this past weekend attended the Artists Show at the Steward Hall in Pointe-Claire where you were shining brightly in performance(s). I spoke with you briefly to tell you how taken I was by your Musette music-making, one would never hear it anywhere more authentically well-played than how you did it: wonderfully. I have now at home played your c.d. recording “MUSETTE”, with Madame Cardinal singing “Chanson douce” in the final track. The joy brought me at listening cannot be put any better in words than what I have attempted herewith. Thank you!
Jan WIllem Van Weel
May 28, 2019
Thank you for those kind words Jan Willem, really appreciated.
It is not everybody that can “hear” the difference between interpretations of a specific style of music like the Parisian musette. You are among the one who can obviously.
I hope you’ll enjoy listening to my CD “Mario Bruneau Musette” and the beautiful voice of Hélène Cardinal singing the song “La chanson Douce” from Léo Ferré for many years to come.
Was nice meeting you last weekend at Stewart Hall in Pointe-Claire.
best regards
I have a bretto scandelli accordion,very old and works,bass strap is adjustable by a metal outside the unit,has on off indicator,played by my dad in big bands in Ontario and Michigan.trying to get a approximately value,he played in the 1940 and up thanks Jim
Hi Jim,
To evaluate your accordion, please send me photos.
For me, the Internet or WWWeb is an important source of music and musical information that is otherwise arcane or remote. I enjoy that people take the time to record a performance on a street corner or tiny hall in some part of the world I may never visit.
Often these recordings are so poorly recorded or the “noise” so great that little that is actually musical remains. Even people intending to demonstrate an instrument and all its virtues often neglect to set properly for sound reproduction, or do anything in post production to convey the actual auditory experience.
I must commend Mario Bruneau for paying attention to these important details in faithfully recording the musical experience he wishes to convey. The sound of his accordion, or other instrument, is rich and vibrant. His performances are polished as if the Internet audience deserves no less than the concert hall.
Thank you Mario for sharing your great reservoir of talent and knowledge with anyone in the world who might have access to the Web and a desire for an uncommon musical experience.
All the Best,
Monty